| Pollack, Howard Copland and the Prophetic Voice | S. 1- |
| Brody, Martin Founding Sons: Copland, Sessions, and Berger on Genealogy and Hybridity | S. 15- |
| Anderson, Paul To Become as Human as Possible: The Influence of André Gide on Aaron Copland | S. 47- |
| Dickstein, Morris Copland and American Populism in the 1930s | S. 81- |
| Levin, Gail From the New York Avant-Garde to Mexican Modernists: Aaron Copland and the Visual Arts | S. 101- |
| Garafola, Lynn Making an American Dance: Billy the Kid, Rodeo, and Appalachian Spring | S. 121- |
| Perlis, Vivian Dear Aaron, Dear Lenny: A Friendship in Letters | S. 151- |
| Shirley, Wayne D. Aaron Copland and Arthur Berger in Correspondence | S. 179- |
| Starr, Larry War Drums, Tolling Bells, and Coplands Piano Sonata | S. 233- |
| Antokoletz, Elliott Coplands Gift to be Simple Within the Cumulative Mosaic Complexities of His Ballets | S. 255- |
| Crist, Elizabeth B. Copland and the Politics of Americanism | S. 277- |
| Levy, Beth E. From Orient to Occident: Aaron Copland and the Sagas of the Prairie | S. 307- |
| Lerner, Neil Aaron Copland, Norman Rockwell, and the Four Freedoms: The Office of War Informations Vision and Sound in The Cummington Story (1945) | S. 351- |
| Abrams, Emily Aaron Copland Meets the Soviet Composers: A Television Special | S. 379- |
| Graaf, Melissa de Aaron Copland and the Composers Forum-Laboratory: A Post-Concert Discussion, February 24, 1937 | S. 395- |
| Abrams, Emily Copland on Television: An Annotated List of Interviews and Documentaries | S. 413- |
| Botstein, Leon Copland Reconfigured | S. 439- |
© 2000- Österr. Bibliothekenverbund & Service GmbH [generated: 2006.05.02]